越中式·越气质|传统美学的设计再造《舍·情愫》

0
42

设计作品概况│ Introduction——

作品名称:《舍·情愫》

设  计  师: 叶 永 志

越中式·越气质|闲适安逸的文化回归,传统美学的设计再造《舍·情愫》

很多时候屋主误以为找设计师觉得只是视觉呈现的事情,例如那些昂贵的奢侈品牌只是年复一年的试图改变我们的外在,不停的消费。但奢侈品之所以成为人人趋之若鹜之物,究其本质,那些隐藏在表象之下的创意、工艺与精神,才是真正打动人心之处。一个设计的表现也是如此设计师所做是一种情怀,是屋主内心对屋舍的情寄 

我们的设计“家”的视角出发,设计师坦言所谓美的生活,对于每个人来说,肯定会因为个人喜欢、职业等有不同的呈现,但是美的生活一定是可以带来愉悦感和幸福感的”。

Many when owners mistakenly think that looking for a designer to think just visual presentation of things, such as the expensive luxury brand just year after year trying to change our external, kept consumption. But the luxury become everyone in droves, study its nature, those hidden beneath the surface of creative, technology and spirit, is really touched people’s hearts. So it is a performance design designers do is a kind of feeling, is the owner of the house to the heart.

We design, starting from the perspective of “home”, designer said “the so-called beautiful life, for each person will certainly because of different presentation personal likes, occupation, but the beauty of life must be can bring a sense of pleasure and happiness”.

越中式·越气质|闲适安逸的文化回归,传统美学的设计再造《舍·情愫》

越中式·越气质|闲适安逸的文化回归,传统美学的设计再造《舍·情愫》

中国文化和禅意在空间中营造的氛围渲染,中式在追求的精神内核和多样性时,所怀抱的水墨留白而感动。 一种看似简净”的设计,含蓄里带着屋主自我主张的那种对人文的理解和态度

Chinese culture and Zen in space to create atmosphere rendering, Chinese in the pursuit of the spirit of the kernel and diversity, the embrace of the ink blank and moved. The design of a seemingly simple net “, implicitly with owner self assertion that understanding and attitude to humanity.

越中式·越气质|闲适安逸的文化回归,传统美学的设计再造《舍·情愫》

越中式·越气质|闲适安逸的文化回归,传统美学的设计再造《舍·情愫》

越中式·越气质|闲适安逸的文化回归,传统美学的设计再造《舍·情愫》

越中式·越气质|闲适安逸的文化回归,传统美学的设计再造《舍·情愫》

背景中的留白山水画表达的是一种我选择无事一念不生,有事一心不乱。我选择木质的温润。我选择早睡早起早出早归。我选择冷粥,破砚,晴窗;忙人之所闲而闲人之所忙。设计就应该是这样去表现屋主对生活的态度和思考。

The expression in the context of space landscape painting is a kind of no matter I choose a life, something wholeheartedly. I choose the mild wood. I choose to go to bed early to go and come home early. I choose cold porridge, broken Yan, the idle and clear – windows; people are busy idlers. The design should be to show the owner’s attitudes towards life and thinking.

越中式·越气质|闲适安逸的文化回归,传统美学的设计再造《舍·情愫》

越中式·越气质|闲适安逸的文化回归,传统美学的设计再造《舍·情愫》

越中式·越气质|闲适安逸的文化回归,传统美学的设计再造《舍·情愫》

越中式·越气质|闲适安逸的文化回归,传统美学的设计再造《舍·情愫》

越中式·越气质|闲适安逸的文化回归,传统美学的设计再造《舍·情愫》

越中式·越气质|闲适安逸的文化回归,传统美学的设计再造《舍·情愫》

越中式·越气质|闲适安逸的文化回归,传统美学的设计再造《舍·情愫》

越中式·越气质|闲适安逸的文化回归,传统美学的设计再造《舍·情愫》

叶永志

中国高级室内建筑师

WHEATFIELD艺术软装首席设计师

丽水黎水仁佳设计公司品牌创始人总设计师

— 作品在《TOP装潢世界》《瑞丽家居》《中国室内》《梦想之家》等全国知名杂志、书刊刊登。

LEAVE A REPLY

Please enter your comment!
Please enter your name here